Hollywood is going 3D! Join the revolution with this primer to all of the essential skills for live action 3D, from preproduction through distribution. 3D perception and science is presented in an accessible way that provides the principles of Stereoscopic vision you need to make the transition from the 2D world. Tools of the trade are enumerated with an eye on current constrai...(展开全部)

Originally published in 1945, this book presents a discussion of medieval literature, focusing to a large extent on French literature. The text emphasises the fundamental differences between the medieval period and modern times, most notably the changes engendered by the invention of print. As noted in the introduction, 'if a fair judgment is to be passed upon literary works be...(展开全部)

The advent of new media presents a serious challenge to our understanding of visual representation, of narrative and indeed the whole art of the moving image. New media forms are emerging in hypertext, multimedia, computer games, interactive broadcast and screen media. These are constantly redefining the relationship between story and text and between the creators of art and th...(展开全部)

这是韩国电影史上第一本关于韩国电影史的著作，由多位影评人、电影史学家、电影学者撰写而成，由韩国电影振兴委员会编辑出版。当时被称为韩国电影史上的一大盛事。此书同时出版了韩文版和英文版（可在韩国电影振兴委员会的主页上观看英文版pdf部分内容：http://www.koreanfilm.or.kr/KOFIC/Channel?task=kofic.user.eng.d_publication.command.PublicationRetrieve1Cmd&Gesipan_SCD=000000000000000004）。中文版权被上海译文出版社买下，由韩国电影专家小韩（http://xiaohan0221.blog.sohu.com/）担任翻译，预计2010年出版。

这是韩国电影史上第一本关于韩国电影史的著作，由多位影评人、电影史学家、电影学者撰写而成，由韩国电影振兴委员会编辑出版。当时被称为韩国电影史上的一大盛事。此书同时出版了韩文版和英文版（可在韩国电影振兴委员会的主页上观看英文版pdf部分内容：http://www.koreanfilm.or.kr/KOFIC/Channel?task=kofic.user.eng.d_publication.command.PublicationRetrieve1Cmd&Gesipan_SCD=000000000000000004）。中文版权被上海译文出版社买下，由韩国电影专家小韩（http://xiaohan0221.blog.sohu.com/）担任翻译，预计2010年出版。

Perhaps no period better clarifies our current crisis of digital information than the nineteenth century. Self-aware about its own epochal telecommunications changes and awash in a flood of print, the nineteenth century confronted the consequences of its media shifts in ways that still define contemporary responses. In this authoritative new work, Paul Fyfe argues that writing ...(展开全部)

Perhaps no period better clarifies our current crisis of digital information than the nineteenth century. Self-aware about its own epochal telecommunications changes and awash in a flood of print, the nineteenth century confronted the consequences of its media shifts in ways that still define contemporary responses. In this authoritative new work, Paul Fyfe argues that writing ...(展开全部)

Against the grain of the growing literature on screens, *Screen Genealogies* argues that the present excess of screens cannot be understood as an expansion and multiplication of the movie screen nor of the video display. Rather, screens continually exceed the optical histories in which they are most commonly inscribed. As contemporary screens become increasingly decomposed into...(展开全部)

Against the grain of the growing literature on screens, *Screen Genealogies* argues that the present excess of screens cannot be understood as an expansion and multiplication of the movie screen nor of the video display. Rather, screens continually exceed the optical histories in which they are most commonly inscribed. As contemporary screens become increasingly decomposed into...(展开全部)

In China on Screen, Chris Berry and Mary Farquhar, leaders in the field of Chinese film studies, explore more than one hundred years of Chinese cinema and nation. Providing new perspectives on key movements, themes, and filmmakers, Berry and Farquhar analyze the films of a variety of directors and actors, including Chen Kaige, Zhang Yimou, Hou Hsiao Hsien, Bruce Lee, Jackie ...(展开全部)